Season 4 of Outer Banks takes the Netflix series into deeper, more daring territory, delivering a blend of thrilling adventure and emotional depth that sets it apart from its peers. With high-stakes drama and gut-wrenching moments, the show continues to hold its place as a standout teen drama with universal appeal.

At the center of it all is John B Routledge, played with charm and tenacity by Chase Stokes. Stokes, who once hesitated to audition for the role, has fully stepped into John B’s scrappy, determined persona. From his early days in Lost Island to television credits on Stranger Things and Tell Me Your Secrets, Stokes has grown into an actor who commands the screen. His portrayal of John B grounds the whirlwind narrative, making the treasure hunts and betrayals feel deeply personal.

Madelyn Cline as Sarah Cameron shines as both a partner in adventure and a layered character in her own right. A Charleston, South Carolina native, Cline’s rise from summer commercials to a Netflix lead is as compelling as her on-screen journey. Her chemistry with Stokes is electric, and her ability to convey Sarah’s inner conflict adds a richness to the series’ emotional core.

This season’s most devastating twist comes in the form of JJ Maybank’s story. Rudy Pankow, who has always brought a chaotic, magnetic energy to JJ, delivers his most heartbreaking performance yet. The revelation that JJ is a Kook by birth, followed by his tragic death at the hands of his biological father, Chandler Groff, is a bold narrative decision that leaves a lasting impact. Pankow’s final scenes are raw, emotional, and a testament to his talent. It’s a loss that will undoubtedly reshape the dynamic of the Pogues.

The Pogues themselves are the heart of the series, a chosen family bound by loyalty and shared dreams. With Madison Bailey as Kiara and Jonathan Daviss as Pope continuing to deliver nuanced performances, the group’s bond feels authentic and unbreakable, even as they face unimaginable loss.

Season 4 also cements Outer Banks as a show willing to take risks. By pushing its characters into uncharted emotional territory, it maintains a balance between high-energy action and poignant storytelling. The finale is both a celebration of the show’s adventurous spirit and a sobering reminder of its stakes.

Outer Banks remains a treasure in the Netflix lineup—bold, heartfelt, and impossible to ignore. Season 4 raises the bar, leaving audiences eager to see where the Pogues’ journey will take them next.

By Skeeter Wesinger

November 15, 2024

https://www.linkedin.com/pulse/film-review-outer-banks-season-4-treasure-worth-journey-wesinger-gjqce

The Lincoln Lawyer returns to Netflix for a third season, and it’s as sharp as ever. For those unfamiliar with the series, you’re in for an entertaining legal drama set against the sun-drenched backdrop of Los Angeles. Based on Michael Connelly’s novels, this season draws from The Gods of Guilt, the fifth book in the series, and once again puts Manuel Garcia-Rulfo’s Mickey Haller front and center as the smooth-talking, quick-thinking defense attorney.

The show doesn’t waste time on filler—every scene adds something, whether it’s depth to the characters or insight into the legal process. Shot in L.A., it shows us more of the city than just the postcard moments, offering a grittier, more authentic look at the environment where these high-stakes cases unfold.

What really stands out this season is the cast. Becki Newton continues to impress as Lorna Crane, Haller’s former wife turned indispensable assistant. She’s as capable in court as she is navigating her complicated personal life, and her wardrobe—crafted by designers Chloé Kristyn and Bettina Benson—becomes a character in its own right.

Mickey’s defense of Julian La Cosse, played by Devon Graye, offers the usual twists and turns, but what elevates this season is Elliott Gould. As David ‘Legal’ Siegel, Haller’s mentor, Gould’s performance is understated yet powerful, adding real weight to the proceedings. It’s a reminder of the kind of veteran presence that can lift a show from good to great.

In short, The Lincoln Lawyer Season 3 doesn’t just meet expectations—it surpasses them, delivering a slick, well-crafted legal drama that’s both entertaining and thoughtful.

 

Review by Skeeter Wesinger

October 22, 2024

https://www.linkedin.com/pulse/lincoln-lawyer-season-3-skeeter-wesinger-bd7ie

Why “American Graffiti” is George Lucas’s Best Film

Story by Skeeter Wesinger

When George Lucas unveiled “American Graffiti” in 1973, it wasn’t just a film but a time machine. The year was 1962, and Lucas’s canvas was the nocturnal sprawl of Modesto, California, his boyhood backdrop. This was America before it lost its innocence, before the seismic shifts of the Vietnam War, the assassinations of JFK and MLK, the Manson Family horrors, and the Watergate scandal. It was an America that existed just before everything changed, and Lucas captured it with aching nostalgia.

Remember 1973? Nixon was reshaping America’s financial landscape by detaching the dollar from the gold standard. Protests against the Vietnam War were a fixture in the news. Yet amidst this turmoil, Lucas offered a retreat to a seemingly simpler past. “American Graffiti” parked us squarely on those sun-baked Modesto streets where the biggest worry was what song the DJ would play next.

Critics might argue that Lucas’s later works surpass this early outing with their grander scales and technological innovations. Yet, “American Graffiti” stands out in Lucas’s filmography as his most personal film, a lovingly detailed tableau of his youth. The film’s power lies in its ability to evoke nostalgia without being blinded by it. Lucas doesn’t just remind us of the past; he makes us feel the poignancy of losing it.

The soundtrack alone—featuring hits like “At the Hop,” “Runaway, and “16 Candles”—is a masterclass in storytelling, each track capturing the zeitgeist of early ’60s teen culture. It’s an era encapsulated in the blissful ignorance of the film’s characters, teenagers on the cusp of adulthood, unaware of the tumultuous changes awaiting them in the decade.

“American Graffiti also set a stylistic precedent that resonates through cinema today—from the teen angst of “The Breakfast Club to the nostalgic echoes in “Guardians of the Galaxy.” Lucas’s film isn’t just a reflection on youth; it’s a commentary on the American experience, a mirror held up to a society perpetually in flux.

In a filmography filled with faraway galaxies and epic sagas, “American Graffiti does something remarkable. It brings us home. It reminds us of where we came from and, more poignantly, how far we have traveled. That’s why, in my view, it remains not just a significant work in Lucas’s oeuvre but his finest film.